Gold Age plays avant jazz informed by their collective backgrounds and mutual interest in challenging traditional concepts of jazz through the use of adventurous harmonics and inventive forms. The unique improvisational approaches of the members are grounded in high level instrumental proficiency paired with a playful and open minded sensibility. Gold Age is Aram Shelton, alto saxophone and bass clarinet; Mark Clifford, vibraphone; Safa Shokrai, bass; Britt Ciampa, drums and percussion.
Mark Clifford is a vibraphonist, composer, and percussionist equally involved in free improvisation, new music, jazz, and indie music, and is a part of multiple projects in the Bay Area and around the country. His performance experience spans worldwide, and he has had the honor of playing alongside an array of wonderful musicians including Tatsuya Nakatani, Jeff Parker, Wu Fei, Moe! Staiano, Ron Miles, So Percussion, Scott Amendola, Greg Gizbert, Paul Riola, and Josh Berman. www.markcliffordmusic.com
Safa Shokrai is inspired by visual art, architecture, and movement. They inform the color and tone of his work. He has performed in a wide range of groups, ranging from punk-jazz (The Drift) to world music (Rupa & The April Fishes) to old-timey swing (Tin Cup Serenade). He has played bass since he was a preteen, and had the privilege to study with the great Ray Brown and San Francisco great Marcus Shelby. www.safashokrai.com
Drummer and composer Britt Ciampa was born in Ohio, raised in the mountains of Colorado, and schooled in music under the tutelage of New York avant-garde jazz luminary Kevin Norton. Currently a resident of the San Francisco Bay Area, Ciampa is active in a myriad of creative music projects ranging from free-jazz to art rock to noise metal, and performs as a bandleader, collaborator, and sideman in groups such as Britt Ciampa Hugs You, Gold Age, and Mark Clifford's See Saw Quartet. www.brittciampa.com
Gold Age released by Singlespeed Music. Download Available.
It’s the collision of contrasting elements that makes Gold Age so damn thrilling, but the way that the Gold Age quartet gets them to come together post-contact is what makes this album so damn cool. - Bird is the Worm.